From pop comebacks to international acts finding crossover success to gorgeous ballads and irresistible dancefloor bait, was quite the year. Here are the songs we couldn't stop playing this year. Think the vulnerable voice of Nina Simone waxing poetic about the ills of millennial dating. Following in the footsteps of international kings like Burna Boy and WizKid, Rema's crisp, charming vocals float over a bouncy rhythm that blends Afropop and hip-hop to create three minutes and 15 seconds of sheer joy. Sex sells, but Rapsody has never been one to conform to hip-hop's misogynistic views of women. Angel Olsen's lush, throaty voice connects with an eerie, '80s-leaning production to create a musical masterpiece. One of the most ubiquitous songs of came from pop's newest power couple. Hate it or love it, Shawn and Camila make magic together.
Billboard Staff's Favorite Songs of 2019 So Far | Billboard News
Lizzo – Tempo (feat Missy Elliott)
You can listen to all songs that were voted for in our playlist. Mon 2 Dec M ore than 50 Guardian music writers were polled for their favourite albums and tracks of the year, and a bewilderingly complex spreadsheet was created to tally their votes. For the Serfs Up! Her incitement to cunnilingus is admirably casual, but Missy Elliott steals the show with her menagerie of purrs and trills. Even as Lykke Li catalogues the torments doled out by her would-be lover, the distant steel pan chime, sparkling disco chorus and sugar-spun melodies maintain the glimmering mirage of possibility. Motivation is the pop equivalent of an Olympics-winning gymnastics routine: Normani serves take-it-or-leave-it cool, effortless vocal workouts and nonchalant cheerleader authority on the Ariana Grande co-write.
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Follow Billboard. All rights reserved. The past and the future combined in , a year of satisfying comebacks from veteran artists and exciting breakouts from newer ones. Read the list below, with a Spotify playlist of all at the bottom. An unlikely combination of three very different alt-leaning acts, "I've Been Waiting" is far more seamless than it has any right to be, finding common ground in the artists' shared pop sensibilities. As it toggles between vocals from all three, it's impossible to tell where the verses stop and the chorus starts -- it's all hooks, really, a song where every part feels like That Part.
There you are, with access to something like million hours of music and it's so difficult to choose just one song. We live in a time where our incredible access to music is both a blessing and a curse. How does one curate the thousands upon thousands of songs that will be released this year alone? Thankfully, we're pretty much tethered to our headphones most waking hours listening to all the latest tracks from the best and least known artists of today.